La vida es sueño
You can not imagine the immensity of the fuck that I do not give.
La vida es sueño
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backwoodsbabybat:

devidsketchbook:

JIM SKULL
Jim F. Faure - Jim Skull creates fascinating, intricate sculptures, inspired by his namesake. These elaborate forms are produced  using a range of materials; from rope, to  papier-maché, tea bags or string. Each become his medium to be appropriated and transformed. He cites his inspiration as the strong cultural heritages of Africa, New Zealand, Asia, and Oceania.
backwoodsbabybat:

devidsketchbook:

JIM SKULL
Jim F. Faure - Jim Skull creates fascinating, intricate sculptures, inspired by his namesake. These elaborate forms are produced  using a range of materials; from rope, to  papier-maché, tea bags or string. Each become his medium to be appropriated and transformed. He cites his inspiration as the strong cultural heritages of Africa, New Zealand, Asia, and Oceania.
backwoodsbabybat:

devidsketchbook:

JIM SKULL
Jim F. Faure - Jim Skull creates fascinating, intricate sculptures, inspired by his namesake. These elaborate forms are produced  using a range of materials; from rope, to  papier-maché, tea bags or string. Each become his medium to be appropriated and transformed. He cites his inspiration as the strong cultural heritages of Africa, New Zealand, Asia, and Oceania.
backwoodsbabybat:

devidsketchbook:

JIM SKULL
Jim F. Faure - Jim Skull creates fascinating, intricate sculptures, inspired by his namesake. These elaborate forms are produced  using a range of materials; from rope, to  papier-maché, tea bags or string. Each become his medium to be appropriated and transformed. He cites his inspiration as the strong cultural heritages of Africa, New Zealand, Asia, and Oceania.
backwoodsbabybat:

devidsketchbook:

JIM SKULL
Jim F. Faure - Jim Skull creates fascinating, intricate sculptures, inspired by his namesake. These elaborate forms are produced  using a range of materials; from rope, to  papier-maché, tea bags or string. Each become his medium to be appropriated and transformed. He cites his inspiration as the strong cultural heritages of Africa, New Zealand, Asia, and Oceania.
backwoodsbabybat:

devidsketchbook:

JIM SKULL
Jim F. Faure - Jim Skull creates fascinating, intricate sculptures, inspired by his namesake. These elaborate forms are produced  using a range of materials; from rope, to  papier-maché, tea bags or string. Each become his medium to be appropriated and transformed. He cites his inspiration as the strong cultural heritages of Africa, New Zealand, Asia, and Oceania.
backwoodsbabybat:

devidsketchbook:

JIM SKULL
Jim F. Faure - Jim Skull creates fascinating, intricate sculptures, inspired by his namesake. These elaborate forms are produced  using a range of materials; from rope, to  papier-maché, tea bags or string. Each become his medium to be appropriated and transformed. He cites his inspiration as the strong cultural heritages of Africa, New Zealand, Asia, and Oceania.
backwoodsbabybat:

devidsketchbook:

JIM SKULL
Jim F. Faure - Jim Skull creates fascinating, intricate sculptures, inspired by his namesake. These elaborate forms are produced  using a range of materials; from rope, to  papier-maché, tea bags or string. Each become his medium to be appropriated and transformed. He cites his inspiration as the strong cultural heritages of Africa, New Zealand, Asia, and Oceania.
backwoodsbabybat:

devidsketchbook:

JIM SKULL
Jim F. Faure - Jim Skull creates fascinating, intricate sculptures, inspired by his namesake. These elaborate forms are produced  using a range of materials; from rope, to  papier-maché, tea bags or string. Each become his medium to be appropriated and transformed. He cites his inspiration as the strong cultural heritages of Africa, New Zealand, Asia, and Oceania.
soulere:

petrole:

kate moss by michel haddi, 1993

I love how her hips fold like that, it makes her look more human
new-aesthetic:

“I start each work by placing a random combination of paint into a dispensing gun. I then distribute the blended pixels of colour across the painting surface until the field is covered. The painting is then finished. There is no editing; I only get one chance. This constraint is very liberating. I know that the latent potential of the paint in the gun could describe near infinite worlds but ultimately a single image will emerge. I no longer have to consider when a painting is finished. This process has changed very little. What has is the way that I consider the slowly evolving trail of paint and the ways that it might equate to the visual world.”
2000-2003 | Pascal Hervey, via Max S.
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An official remix album of Bob Marley's Legend
Drew Houston's Commencement address - MIT News Office
#Headless #angel in the #Xela #cemetery, 2008.   #tbt #nofilter #Quetzaltenango #Guatemala #statute #sculpture #cross #cemeterio #cruz #funeral #travel #photography #life #death